“The illusionist” – (2010, UK/France, 80 minutes – rated PG)
Note: this review contains spoilers.
Adapted from an original script written by Jacques Tati in 1956, “the illusionist” retains all the charms from Sylvain Chomet’s previous animated film “the triplettes of Belleville”.
Watch the trailer here:
“The illusionist” is a very different kind of film though, partly because it is semi-autobiographical, but mainly perhaps because of the controversy as to which of Tati’s daughters the script was dedicated. Tati had a daughter out of wedlock during WWII with an Austrian dancer named Herta Schiel. Pressured by his sister, Tati abandoned mother and child, and went on to start a family with Micheline Winter, with whom he had a second daughter, Sophie, and a son named Pierre.
Each side lays claim to Tati’s original intent. Did he write out of sorrow and guilt for abandoning Helga Marie, or regret at having missed much of Sophie’s childhood while on the road?