Midnight Movie Madness: “the grapes of death”, egg yolks and Beaujolais

The grapes of death” – (85 minutes, France – NR)

Thirty years before the excellent comedy “Bottle Shock” came out, this little known gem drew its inspiration from the troubled French wine industry. Question is: was it a diamond in the rough or straight up zirconium?

Marking a return to the Midnight Movie Madness review format is this bit of a curio from 1970s France, written and directed by Jean Rollin. I found this looking through Z-movie listings (I mean Zombies), although “grapes of death” isn’t exactly about zombies created by bad wine made worse by overused pesticides, it could have been called “les dégueulasses“, as country folk develop extremely bad acne, smearing it everywhere from car windows to… Well, anywhere.

Grapes of death blind girl
Blind village girl with Elisabeth (L2R) Praise Jesus and pass the L’Oreal…

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“Doghouse”: with “friends” like these…

“Doghouse” – (2009, UK, 89 minutes – NR)

Bloke is being divorced by his wife, so his mates, who all have ‘spousal’ issues of their own, decide to take him on a wild weekend in the village of Moodley, where women outnumber men by four to one.
They’re all hoping for some Hoo-Hoo-Hee-Haa, wa-hey-hey sexy times I guess.
As our heroes are about to find out, the women of the village have been turned into demonic, zombie-like mutants with cannibalistic tendencies by a military experiment gone very wrong.

Watch the trailer here:


Marooned in the village with the last survivor of the military team, our gang will try its best to survive in creative and funny ways. Such as putting a severed head in a radio controlled truck for the zombirds to chase after, or filling a squirt gun with flammable fuel for the RC truck and spraying a zombird with it (a one time use, but hey…).

Matt (Lee Ingleby) preps his fiery squirt gun

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Spoofing old horror: “creatures of the Pink lagoon”

“Creatures of the Pink lagoon” – (2006, USA, 71 minutes – NR)

Sometimes trying to decide on a good movie to review doesn’t mean the movie has to be all that great. I think there should be something interesting about it which doesn’t necessarily figure in the budget number, cast or other factor, since the review is always going to be subjective after all.

It’s black & white, not in color!

And since I’ve been fighting the flu most of the week, with cocktails of Sudafed and Vodka, I got in the mood for some silliness.

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“Wasting away”: cute? Zombie? Comedy? Why, yes!

Cute couple, innit?

Wasting away” is also available under the alternate title “Aaah! Zombies!!” and takes a page from “return of the living dead”, scripted and directed by Dan O’Bannon whose prolific career includes collaboration with John Carpenter on “Dark Star”, Ronald Shusett on “Alien”, adapting and scripting “total recall” and another obscure little film titled “screamers” based on a Philip K. Dick story “second variety”. “Wasting away”, then, begins with a military transport dumping its load of chemical containers filled with failed research fluids, originally intended to create super-soldiers, but really turning them into raving zombies.

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Updated – The Zombie movie genre: minor exploratory surgery

Since George Romero’s “night of the living dead” in 1968, the genre seems to have been growing across genres (comedy, sci-fi) and media (comics, novels, video games), and depending on the country of origin, even says something about cultural mores.
Night of the living dead” had some interesting things to say about race and class relations, which perhaps had to be expected as it was made in the late ‘60s.
And “dawn of the dead” (1978), also from Romero, had consumerism as a subtext and used a mall as location which introduced different dynamics.

BFS’ dangerous duo: Tango & Cash

But really, zombie flicks are about bloody mayhem which provides relief after a long day at work, dealing with people you might wish were dead. So without further ado, let’s look at a serious offering from France. “They came back” (2004) from Robin Campillo will not satisfy your urges for carnage because there is none to be had.
What “they came back” does offer is more along the lines of what they call “l’etrange, le bizarre, l’insolite”: it is eerie and at times really disquieting, particularly the couple instances reintroducing children to their parents.

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Midnight Movie Madness

Fido” – (93 minutes, USA 2006)

“What is it boy? Is Timmy in trouble?”

In these alternative 1950s, after the “zombie wars”, life resumed in America within fenced in communities managed and policed by a corporation named Zomcon (zombie containment is their motto). Hordes of ‘untamed’ zombies roam the zones outside the communities’ perimeter, while within, domesticated zombies wearing electronic shock-collars serve the living delivering milk, papers, mowing lawns and acting as household help, etc.

Neighborhood watch

In order to keep up with the neighbors, Helen Robinson (Carrie Ann Moss) buys a domesticated zombie helper (Billy Connolly), much to her neurotic husband’s (Dylan Baker) dismay. Bill Robinson has a serious phobia of zombies since childhood, when his dad and uncle tried to eat his brain.
Certainly a very sore subject around the dinner table.
Bill is distant with his son Timmy (Kesun Loder) and pretty sadistic towards the zombie helper, zapping him for the slightest reason, and repeatedly. Timmy decides to call the zombie Fido and the two become friends, inasmuch as you can with a Z-dude.

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Midnight Movie Madness

I sell the dead!” – A Man Could Go Quite Mad (85 minutes, USA 2008)

“Never trust a corpse…”

Amongst the various genres, horror, and I suspect humor to a lesser extent, fans have quite an eclectic variety of interests, from zombie movies to vampires, slapstick to satire, but they are quite passionate about them, perhaps even… Picky.
So blending genres is always tricky, especially when dealing with a public who knows what it likes. Quite the balancing act.
The exceptions are rare enough to be noted and recommended, such as the Sam Raimi-Bruce Campbell “team”, Neil Gaiman-Dave McKean or the craftsmen behind “I sell the dead”. Larry Fessenden has been at it a long time, and knows film making in and out. He both produced and acted in “I sell the dead!”, Glenn McQuaid’s true directorial debut, even though “I sell the dead!” was developed from a previous, shorter effort, “the resurrection apprentice”.

Arthur Blake (Dominic Monaghan) sits in a prison awaiting his execution after being convicted of grave robbing. There, he is visited by am Irish priest (Ron Perlman), who has a curious interest in criminals such as Blake and his partner Willie Grimes (Larry Fessenden). In flashbacks, Blake describes his adventures from street urchin to businessman-corpse supplier in association with Grimes, against strong competition from the Murphy clan, a ghoulish collection of killers.
Along the way, increasingly horrific supernatural encounters seem to promise the rivals riches, but at a terrible price.

When dealing with a low budget genre movie made by hard working enthusiasts who know their craft and share real affection for film, as well as each other, the result is… Infectious. There usually are aspects to forgive given budget constraints, but not here: the decors, costumes, music and McQuaid’s script and direction all blend with and support the actors.

And what performers… Ron Perlman, Dom Monaghan, Fessbenden are of course excellent. But John Speredakos is devilishly creepy, as is Angus Scrimm , of course. Heather Robb and Brenda Cooney are remarkable, and James Godwin’s got to be seen to be believed.
The interplay between the two grave robbers Arthur Blake (Dominic Monaghan) and Willie Grimes (Larry Fessenden) make me wonder about Charles Dickens and Wilkie Collins.

There is ambition which shows through, from producers Peter Phok and Fessenden, to McQuaid and this talented crew, but there is also experience: the film is consistently good to great without anything for the audience to ‘forgive’, as I stated earlier.

Watch it after Midnight, with a bottle of Scotch or Whisky. Then the next day, when you can’t remember how it ends, shave your eyeballs and watch it again.

“I sell the dead!” receives 4 jellybeans.

4 beans


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Science droppings

This section is inspired by a DVM who goes by the username of Possum.  I’ve come to greatly enjoy his posts about science, which I will not copy from.  I do like his style though, so that’s what I’ll borrow (a bit of it anyway).  🙂  And since I have no intention of violating copyright law, I’ve provided a paragraph from the article with a link to the rest.  Do take the time to go look.

Who knew?  Animals have emotions and use them.

Happy? Angry? Anxious? How can we measure animal emotions? To understand how animals experience the world and how they should be treated, people need to better understand their emotional lives. A new review of animal emotion suggests that, as in humans, emotions may tell animals about how dangerous or opportunity-laden their world is, and guide the choices that they make.

Read the rest here

Exploding moss?

A primitive, bog-dwelling moss isn’t as simple as it appears: The moss possesses a tiny air gun so powerful it shoots out minuscule mushroom clouds, a first in the plant world.

Read the rest here.

ZOMG!  Zombies!

Problem: you’re a fungus that can only flourish at a certain temperature, humidity, location and distance from the ground but can’t do the legwork to find that perfect spot yourself. Solution:hijack an ant’s body to do the work for you—and then inhabit it.

You can find the rest of the story here.

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